Rebecca Delphine

Rebecca Delphine is a Young Adult author from Thanet.

Five reasons why we find enjoyment in the fictional pain experienced by characters.

Dialogue tags are a writing tool, and although at times dialogue might benefit from a flouncy tag, mostly 'said' is all that is needed.

How fiction writers can utilise their own photographs to enhance their stories, and why they should photograph everything and anything.

You're at an appointment you've waited months for. Take a seat. Time will fly.

On the technique of characters quoting text within dialogue, either fictional or from real life.

A review of the historical romance novel The Ballroom by Anna Hope.

Why your secondary characters must spin, twist, or propel your plot.

A review of the Young Adult fantasy novel Caraval by Stephanie Garber.

A look at why and how characters manipulate conversations, and why your characters should be doing the same.

A simple method to help decide which description details work to enrich dialogue.

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